Jazz drumming requires a resonant, open sound so that you need a little more damping than most modern pop music for the bass drum to get rid of stray overtones and create a good, basic, punchy sound. Drumheads have built-in damping rings that are common to bass drum heads, and this affects the resonance of the sound you can get from the drums.
If you're a drummer who enjoys the sound of a loosehead, you may find that something as simple as turning on a tighter drum key makes your sound more suitable for the blues, jazz or funk gig you choose. It is not necessary for the drummer to use two percussion keys to tune the drum head, but he should tune the opposite side of the head at the same time to give it the same tension.
No matter how your drums sound, the tuning process is the same. For the basic tuning, however, I recommend the Crisscross method, which allows you to tune the drum by setting your head and tightening the pull bar in a crossing pattern.
The choice of drum size is directly related to the range of the entire drum set, as some drummers like to take the lower range of the kit, while others want to take a higher range, and still, others want to cover a wider range of drums that produce a lower range, while other drums produce a higher range, so pitch becomes a consideration between the drums.
In general, the snare drum should be tuned with a lower head and an upper head that is narrow and somewhat looser than the lower head. When playing acoustic jazz with a piano trio in a small restaurant or a small drum, the tension on the heads should be tight and high in order to obtain the best sound without having to strike too hard. When the lower heads are tuned higher than the upper, the effect is similar to the lower heads in terms of sustain and overall sound, as the pitch of the drum drops and decays.
The key to raise the sense in the tuning of musical jazz by practice and follow the drum https://zerotodrum.com/how-to-tune-a-set-for-jazz/ channel always to increase the feeling.
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